Showing posts with label Adult Fiction. Show all posts
Showing posts with label Adult Fiction. Show all posts

Thursday, May 11, 2017

How to Kidnap an Author

3,325 words - adult fiction

open book of stories


You’re going to be angry. I’ll just tell you that upfront.
If you want to come yell at me for being stupid, go ahead. But please at least bring the bail money with you. I promise I’ll pay you back.
See, it all started with the author signing. Or, actually it probably started with Dave, the security guard. If I hadn’t dated him, there’s no way I could have pulled off the kidnapping.
Dating a security guard is even better than being a security guard, if you ask me. You get to see all the hidden corners the cameras can’t reach. You get to find out the pass codes. You get to see the basement tunnels and the roof access. And you don’t have to go brain dead with boredom staring at computer monitors all night long.
I know you said I shouldn’t date him, and I agree. He turned out to be a jerk. But think of this to cheer you up. He’ll get fired as soon as they find out how I had a key to the janitor's closet.
So, Dave made it possible. But you know I’m not for kidnapping someone without a very good reason.
That very good reason was Helma Dugan. Debut author extraordinaire. New York Times bestseller. I know you’ve read her new book. It seems everyone and their dog has read it.
But do you remember her when we were growing up? Little Helma Dugan was just a frizzy haired kid with a runny nose and braces for too many years. She was in my grade. We were acquaintances. She sat at the lunch table with me and my friends. My writer friends.
The weird thing is, little Helma had no interest in being a writer, unlike me and all my friends. But she was an avid reader and would do a decent job reading over a manuscript. We all let her read and critique ours. She especially loved one of my novels called Love in the Arcade, about a teenage boy and girl who are tied for the winning score on the most popular game in the arcade and then get sucked into the game and have to fight to the death to stay alive. And, of course, they end of falling in love during all of this. Anyway, Helma kept bringing it up for at least a year after she read it. I guess that’s why we kept her around. She was good moral support when we needed a boost. We were like her own private book club.
So, when I went to college, and she asked if she could room with me and four of my friends, we shrugged and let her come along. She still had the braces.
We were all going to writing conferences together and comparing stories, and Helma was happily reading away anything we gave her. I entered dozens of writing competitions, but never won anything. At least, I thought I didn’t.
Life went on. I graduated. I still wasn’t published and had to get a job. Being a full-time writer is great until your rent is due.
My job got demanding and I had less time to write. All my other writer friends had agents and editors and most of them had husbands too, and they had all moved to other states, and so it was just me. Even Helma moved off somewhere, though I didn’t keep in touch enough to know where she’d gone.
I started to think my ideas were trash. All my friends had books coming out and even though they weren’t wildly successful, at least they were published. I wrote less and less frequently, until I kind of gave up on the whole writing thing. Then, to top it all off, I walked into a bookstore one day and there was Helma. She wasn’t buying books. She was signing them.
There was a table set up right at the front of the bookstore with a long green tablecloth. And on the tablecloth were stacks and stacks of shiny new hardback books. And behind it all was Helma, smiling a dead-straight smile, her braces gone, and signing the front pages with a flourish.
I must have stared for ten minutes before I realized what the title of the book was that she was signing.
Love in the Arcade.
I leaned around the line of people and snatched a copy, flipping it open. The first line was like a punch in the stomach.
“It’s so much easier to get along with someone once you’ve killed them a few times.”
I knew that line.
I flipped further into the book, turning pages and reading snippets, all the way to the very last line.
“Love’s a battle - make sure you’re on the winning side.”
I smashed the book shut, crumpling a few pages at the end.
This was my story.
I had written this story.
“Would you like to buy that, ma’am?” A sales lady asked. “The author is signing copies.” She pointed to my right at Helma.
“That’s not the author,” I said.
“Hmm?” She leaned closer like she hadn’t heard me.
Helma still hadn’t seen me, surrounded by her adoring fans.
I shoved the book into the sales lady's hands and darted out of the store.
At home, I booted up my laptop and dug around for the story. It was one I had written years ago. I’d sent it into a contest, and when I never heard back, I assumed the thing was rubbish. The contest had specifically said to keep the submission anonymous, so I had. No name. They said they would send a letter if I won. I never got a letter.
But now I pulled up their website and clicked on the contest results from that year.
Grand prize winner: Love in the Arcade by Helma Dugan.
My vision went a little tipsy.
Had Helma found the letter when she checked the mail? The prize had been something good. I checked because with all the contests I’d entered I couldn’t remember exactly what. But there it was - $2,000 and a publishing contract.
She had taken my publishing contract.
She had never been a writer, but she had plenty of experience editing. They would have had her make some edits to my manuscript, but that wouldn’t have been a problem for her.
Hands shaking, I googled her.
There she was, smiling that disturbingly straight smile.
And there was my book.
I clicked a link and read the blurb.
“...coming out with another book next Fall entitled How to Get on a Serial Killer’s Hit List, the first in a romance thriller trilogy.”
I blinked hard and long, that title staring up at me. I’d written that too. That whole trilogy! It was my romance thriller trilogy! One of my favorites I’d ever written, about a woman who’d been notified by the police that she was being put into witness protection because she was on this serial killer’s list of victims. But the police were too late and the serial killer shows up and kills her. Except they don’t know that he’s actually part of the vampire police, and he’s putting her into vampire witness protection. And the human police are totally corrupt and out to take over the world. Of course she ends up falling for the vampire chief of police, but not until the very end of the first book, right when the human chief of police drives a stake through his heart.
In the second book she trades her immortality for a chance to visit the underworld and bring her true love back from the dead, but it all goes horribly wrong when she realizes he’s in love with some other woman who’s also dead.
I won’t give away the ending, but it took me three years to write the whole trilogy. Everyone in my writing group cried when the vampire chief of police died.
And now Helma was publishing it? She’d had access to our shared google drive where we all posted our stories. Had she downloaded it and sent it to her editor after getting that first contract? Why?
I closed the laptop. Then reopened it and looked up her book tour schedule. She was at the bookstore today, obviously. But next weekend she would be at the library in the next town over.
The library that Dave, my security guard boyfriend, used to work at. And a plan started forming in my brain.


The night of, I dressed in black and I brought my backpack.
I did not buy a copy of her book - MY book - from the friendly sales clerk from a local bookstore that had set up a small shop next to the library front doors. I wasn’t going to add to her pirated royalties.
Before entering the room where she was presenting, I slapped an “Out of Order” sign on the door to women’s bathroom.
The plan was simple. I ran through it in my head again and again as I sat and listened to the head librarian welcome her and everyone applaud. I listened as she read the first chapter of my book. And I sat and listened as she answered questions from the audience.
“Where did you get the inspiration for this book?”
“This one, like all my stories, just came it to. It was like it landed in my lap one day.”
“We heard you are writing a trilogy next. Will there be more books after that?
“Oh, there are plenty more where this came from!”
I gritted my teeth and bided my time. When the question and answer session were over, I watched her like a hawk. The librarians were setting up a table at the back of the room for her, and everyone was lining up to have her sign their copy of Love in the Arcade. But she slipped out the door toward the bathrooms. Now was my chance. Slinging my backpack over my shoulder, I kept my head down and headed after her.
She saw the “Out of Order” sign I’d tacked up before her speech began and wheeled around for the bathroom on the floor below. Perfect.
When she was down the stairs, I ripped the sign off, and followed her at a safe distance. When she was inside the downstairs bathroom, I stuck the “Out of Order” sign on the door, then slipped in after her and locked the door so no one would disturb us.
I turned on the sink for some white noise, setting my bag down. When she came out of the stall, I was ready. I switched off the light and aimed a gun at her. She froze. Her eyes got very wide.
Now, before you freak about guns and safety and ask me if I’ve ever been to a shooting range in my life, let me tell you that this was not a real gun. Do you honestly think I have connections to be able to get my hands on a real gun? Good grief.
It was a toy from the dollar store. But in the dim light from the window, it seemed to be doing the trick.
I jerked my head toward the janitor’s closet connected the the bathroom. “Get inside,” I said.
I followed her inside, keeping the toy gun trained on her. It smelled like glass cleaner. She stumbled backwards into a chair.
“Sit,” I said. I dumped the rope I’d brought from off my shoulder and kicked it towards her. “Tie yourself to the chair.”
She picked up the rope and sat down with a whimper. Though, it quickly became obvious that I’d hadn’t thought this order through. She tied the rope around her waist and the chair, knotting it firmly, but it was obvious she could untie it whenever she wanted.
I decided to overlook this flaw and get down to business.
“You have a lot to answer for,” I said. My voice didn’t really sound very scary, so I tried making it deeper. “A whole lot to answer for.”
“What do you want?” she said.
“You know what I want,” I said. The deep voice thing wasn’t working very well. I sounded like a terrible soap opera actor. I coughed and continued in a more normal voice. “You’ve been dreading I would find out about this for a long time.”
There was a pause. “Who are you?”
She was dumber than I thought. “Seriously?” I asked. “I’m Lisa! Lisa Hemmingsway! The girl whose book you just published!”
“Oh,” she said. “Right.”
“Okay,” I said. “Listen up. I know what you’ve done. And if you ever want to see your dear cat Snookums again-”
“Snookums is dead,” she cut in.
“Oh, goodness.” I let the gun drop a little. “I’m so sorry!” She had really cared about that cat. “What did that happen?”
“Over a year ago. He was really old.”
I pondered this for a moment. “Well, do you have a new cat?”
“Of course! I have a little kitten.”
“Cute! What’s name?”
“Betsy.”
“Betsy? That’s a terrible name for a kitten! That’s an old lady name!”
“Well it’s better than your main character’s name. What was it? Senora? Doesn’t that mean lady in Spanish? My editor had me change all their names.”
“Just like you changed the author’s name?” I asked, leveling the gun at her again. “Look, if you ever want to see your terribly named kitten Betsy again, you are going to swear that you will walk out there and announce to everyone who the true author of that books is. Is that understood?”
She didn’t answer.
“Is that understood?” I asked again, louder.
“Please,” she said. “I just wanted a chance.”
“Promise!” I said. “Or Betsy becomes my kitten instead of yours! And I will change her name!”
“All of you were so talented!” Helma said. “I knew you would all be these famous writers and I was so jealous. I was never going to be a famous anything!”
“Do I look like a famous writer to you?”
“You were the best writer of them all,” she said, hurrying on like she knew she only had seconds to explain her case. “You were so talented! I knew when that letter came from that writing competition that you were going to be somebody. And I was jealous. I thought I could have just a piece, a small piece of what was in store for you. You wrote so much, surely you would be able to win a hundred more competitions! Surely this wasn’t your only chance. But it was my only chance!”
“That was my only chance!” I said. “Have you seen any books with my name on the cover? Have you been to any of my book signings?”
She was quiet for a moment. “You gave up,” she said softly. “I didn’t think you’d give up.”
I set my mouth. “I did not give up.”
“You did,” she said. “I would log into your account online where you kept all your writing files, and there were less new ones every time I came back. You haven’t been really writing in years.”
“You’ve been logging into my account?”
She didn’t answer.
“How many of my novels have you stolen?” I asked.
“Just the one that’s published, and the trilogy. The romance thriller one.”
I let the gun drop, leaned against the wall to see her face better, and glared. Holding up that toy gun was making my arms ache. “Anything else?”
“And… well… and one more.”
“Which one?”
“The one about the girl who gets tricked into being engaged to that dwarf even though she’s in love with the King of the gold mines. You didn’t have a title for it.”
I stood up straight. “Seriously? That was the one you went for next? I would have thought Sunken Moon about the were-mermaids would have been your next one.”
She shook her head. “You never finished that one. Remember? You never told us how Driselda gets out of the sea witch’s cave before the full moon is up or how Gerald reacts after finding out what she is.”
I’d forgotten that. “I don’t know how it ends yet,” I said. “The ending I thought up first was stupid.”
She shrugged. “You’ll think of something good.”
I frowned. Every time I sat down to write lately, I could only think of how stupid all my ideas were. How no one wanted to read them. But apparently I was wrong.
“Look,” she said. “I get that you’re mad at me. I had no right to steal that competition winning from you. But-” She stopped me as I opened my mouth. “You are a brilliant writer. People love your stories! You can’t stop writing.”
She was right. That much was clear from the lines of people she had waiting for the autograph of the person they thought had written Love in the Arcade.
“You need to give back my stories,” I said.
“I can’t!” She looked petrified at the idea. “No one would believe me. They would think you had blackmailed me or something.”
I chewed the inside of my cheek. “I’m deleting that online account with all my stories. You’re not publishing any more of them. Got it?”
She nodded. “Of course!”
“And if you don’t find a way to give those stories back, I will ruin your writing career!” I said. “I’ll- I’ll give you awful reviews on goodreads!”
She swallowed. “I can’t give them back,” she said. “But I could make you a co-author of the trilogy. It’s not out yet.”
I considered.
“Then you’ll get your name out there. You can send out new stories and have your own books. We can go on book signing tours together!”
“No tours,” I said. “Not together.”
“Right. Sorry.”
I considered her offer. It wasn’t bad. If I had seen that letter from the competition, would I have been brave enough to actually go forward with it? To publish other books?
In a way, she had given me a confidence that I couldn’t have gotten any other way.
“Fine,” I said. “Keep the book. But just you wait. I’m going to be more famous than you one day.”
As I untied her, she looked like she was going to give me a hug, but I stepped back. “Hey,” I said. “Don’t push your luck.”
The janitor’s closet door banged open. “Hands up! This is the police!”
“It was her!” Helma said. “She kidnapped me! I had to keep her talking! She’s here! Arrest her!”
And that’s when I saw her phone in her hands. She’d been hiding the screen from me as she texted.
And that is how I ended up in a cell writing to you to post my bail. Pretty please?
I know you’re mad. I get it. It was irresponsible of me. I shouldn’t have threatened her kitten. I get it.
But let’s talk about Helma for just another minute. There’s no way she’s actually going to make me the co-author of my trilogy. I can’t believe I was stupid enough to believe her. I had been debating buying a copy of my book just for fun, but no way that’s happening now. Especially because after I pay you back for bail I will be broke. So, let’s just be mad at her instead, okay?
On the bright side, sitting here in this cell, I figured out how my were-mermaid story ends. And, guess what? I have this brilliant idea for a whole new novel about- Well, I don’t want to spoil the surprise.
It feels good to be thinking about writing again.
Who knew it would take little brace-face Helma Dugan to solve my writing problems.

Well, I’d better finish this letter. I need to get started on my next story. It’s going to be a best seller. I can just feel it!





Monday, February 6, 2017

Garlic in the Blood

1,715 words - adult fantasy



The garlic plants were dead.
Sei knew before she pulled up the first bulb. She been trying to save them for weeks now as the stalks turned brown from the tips down, wilting until they lay flat on the ground. She’s known they were dying. And now they were dead. All of them.
            She had outlined her property in garlic, a line of plants poking out of the earth like bright green sentinels. And then she had planted another outline around her house. It was impossible to have too much. But this year there would be none at all.
            Sei dropped the rotted bulb and wiped her palms on her jeans, smearing them with mud and decayed plant. More than the potatoes, more than the peas or the watermelon or the corn or even the wheat, Sei needed the garlic. She wouldn’t have time to die of starvation if she ran out of garlic.
            Wiping her sweaty forehead with the back of her hand, she got to her feet. The sun was low, sitting on the ground and glaring. It was time to drink her tea.
            That was when she saw something she hadn’t seen in over a year. A stranger.
At first, he was just a dark smear against the setting sun, but every muscle in her body from her little toes to her scalp tightened at the sight. People did not come and visit Sei. There wasn’t a soul for miles. And there especially wasn’t anything without a soul. At least, there shouldn’t be.
            And the garlic was dead.
            She watched the man get closer. He was riding a horse of all things, which made her hunch her shoulders when she saw it, like she could make herself smaller, make herself disappear. She bent her knees like she was readying for a fight and her hand darted to her pocket where a long smooth piece of metal protruded. She was never without it, even after more than a year of solitude.
            She swallowed hard, twisted her foot firmly into the dirt, and waited.  
            She watched him dismount, the horse throwing his head like he had been ridden too hard and too fast and was glad to be rid of his rider.
            “Who are you?” she asked. Her voice was creaky from talking only to cats and chickens.
            She saw him take in her stance, the metal stake in her fist. He raised his hands in surrender. “I’m Drake,” he said. “I’m human.”
            “I can tell,” Sei said. But she didn’t relax her grip on the weapon.
            “Are you Sei?” the man asked.
            It was a stupid question. They both knew it, so Sei didn’t bother to answer. 
            The man – Drake – cleared his throat. “I need your help,” he said.
            “I’m done with all that.” Sei narrowed her eyes. “So you can get right back on your horse and go back to where you came from.”
            “I can’t!” Drake said. “There is no place to go back to anymore. It’s gone.” His voice cracked. “My whole city is gone.”
            Sei closed her eyes, trying to block out his words. “How many?” she asked.
            “I think it’s just one.”
            She snapped her eyes open. “One? That’s impossible. How big is your city?”
            “About 10,000. Or, it was. Only a couple hundred of us are left.”
            So it was small. But still.
            “When did it start?” she asked.
            “A month ago. It happened so fast, we didn’t realize what was going on until it was too late.”
            Sei watched the rim of the sun slide out of sight. She couldn’t be out here now.
            “I can’t,” she said, turning away and striding across the garden toward her house.
            “No!” Drake ran after her, grabbing her arm.
            She turned on him, the metal stake raised. No one had touched her in years. Even before she retired, before she came to the farm and chose solitude over death, she was untouchable. People spoke to her with downcast eyes, keeping a safe distance, like she wasn’t entirely human herself.
            “I’m sorry,” Drake said, dropping her arm and raising his hands again. The gesture irritated her.
She started back to her house.
            “But if you don’t help us, there won’t be any of us left. My daughter-” His voice broke again.
            It could all be an act. Sei knew this as she scuffed her boots off on the doormat and opened the front door. It could be a trap. There were plenty who wanted revenge on her. She just wasn’t sure how they would have talked Drake – a human – into helping them.
            She flicked on the lights and turned to face him, her arms crossed. “I’m retired,” she said. “You wouldn’t want me anyway. I’m rusty by now. I haven’t killed more than a chicken in fifteen months.”
            “You’re the best there’s ever been,” he said. “And you’re the only one left.”
            She frowned and turned away. “That’s why I’m done,” she said. “If I go back, I won’t live any longer than the rest of you.” Taking the kettle off the stove, she filled it with water from the tap and replaced it, turning on the burner and hearing the little drips of water on the outside of the kettle sizzle as the stove heated up. She opened the kitchen cupboard and took out her tea ball, a cluster of garlic cloves, and a ceramic dish of honey.
            Drake watched her from the doorway, unmoving. As she made the tea, she avoided his eyes.
            “I couldn’t get within five miles of it anyway,” she said and crushed the first garlic clove with the side of a butcher knife. The papery skin slid off and the sticky pale flesh went into the tea ball. She couldn’t smell the garlic anymore. But she knew that Drake could. She was sure he could smell the farm – smell her – miles away. And he was only human.
            “How often do you drink that?” Drake asked as she crushed the next clove and added it to the tea ball.
            “More often than I eat,” she said. “Eating is only important if you’re going to be alive long enough to go hungry.”
            Drake looked around the kitchen, at the rows of braided garlic hanging from the rafters, at the sliver cross above the table, at the boxes of matches piled in a bowl next to the sink, at the hand-dipped candles standing on every flat surface, and at the gun on the window ledge. He could probably guess that the bullets inside were silver.
            “When you eat garlic,” she said. “It doesn’t just stay on your breath. It gets into your system. It takes days to wear off.”
She didn’t just eat her garlic. She saturated her bath water with it, made lotion out of it, wore it in a locket that she never took off, stuffed her pockets with it, and made potpourri to fill her drawers.
She didn’t just have garlic breath.
“I have garlic in my blood,” she said.
Drake picked up the nearest candle and examined it. It too was full of dried garlic. He set it down.
“Why did you start?” he asked.
The kettle began to whistle. Sei pulled it off the stove with a hot pad and poured a steaming stream of water into her mug, dousing the tea ball full of juicy garlic cloves. She replaced the kettle and added honey to her mug.
“All those years ago,” he said, “if you knew it was so dangerous, what motivated you to start?”
She stirred the tea and looked out the window at the dark landscape. “Shut the door,” she said. “And turn the locks. All of them.”
Drake did as he was asked. She blew on her tea to cool it but didn’t take her eyes off the garden outside.
“It was my sister,” she said. “She was a year younger than me.”
            She sipped the tea. It burned her tongue.  
            “She was killed right in front of me.”
            “I’m sorry,” Drake said. “I’m sorry.”
            Sei set down her mug with a hard clink. “But I killed her murderer. It was my first kill.”
            Drake met her hard gaze with his own. “Not all of us can do that,” he said. “You have a talent. A gift.”
            “I have a curse,” she said. “They may not have souls, but each and every one of them haunts me to this day.” She felt herself breath in made herself hold it, lungs full, trying to block the memories. “Two hundred twenty seven,” she said when at last she exhaled.
            Drake took in his breath.
            No one realized how many it was. She had a scar for each and every one of them. A physical scar, either from their nails, or from their teeth, or from the fire when she burned their bodies. Fights were messy. Fights left wounds. But nothing on her body was as permanent as the scars on her mind. Teeth and fire and blood could never do as much damage as a memory.
            “What would your sister want?” Drake asked.
            It wasn’t a fair question, and they both knew it.
            She gazed out the window even though it was too dark to make out much but the line between the black ground and the star speckled sky.
            The garlic was dead.
            She turned away from Drake, putting her hands on the countertop and closing her eyes.
            “Give me a week,” she said.
            Drake inhaled to speak, but she cut him off.
            “That’s the best I can do. Even after a week of detox, I’ll still have garlic in my blood.” She would have to sweat it out, move away from this farm that had garlic in the very wood the house was built from. A week wasn’t even close to enough time.
            It was suicide and she knew it.
            But what else was there?
            There were the chickens and the cats. There was the garden. There was life. There was the simple pleasure of breathing in and out.
            But how high a price was she willing to pay for those simple things?
            Would she give up her sister again? Would she give up this man’s daughter?

            “One week,” she said. “And then I’ll go after your vampire.”




photo by Pete G

Monday, November 28, 2016

Cold that Clings

2,607 words - adult horror



Blood and pain and darkness. Cold like breath, and lonely like fog.
But not at first. Not in the beginning.
In the beginning, there was just a girl.
A girl with a scarf and spilling brown curls.
And me. Six foot even. Beanie pulled to my eyebrows.
"It's cold today," she says, stamping her feet.
The bus is late. The pavement hard, the roads plowed open.
Breath like mist. And two black gloves.
"Here." I take off my scarf, but of course she already has one.
There isn't room for more scarf atop a soufflé of hoodie and coat and curls.
"Thanks anyway," she says.
Smile like Land's End.
"Do you think this bus is ever coming?" she asks.
I check my watch. Eight minutes late.
She puffs into her hands and rubs the black gloves together.
"Why is it so cold?"
Like winter shouldn't be cold.
Shivers.
"You want hot chocolate?" I ask.
Brown eyes and a frown.
"You think we missed the bus?" she asks.
I shrug. "I don't think it's coming. Crashed somewhere. Everyone froze to death."
"That's not funny."
"I know."
Thirty-five days I've known her.
Twenty-five bus stop waits.
5:12pm.
Seventeen conversations.
"Hot chocolate?" I ask again. "It's on me. You're lips are turning blue."
Lipgloss pressed together. Then one finger, pointing.
"They have the best hot chocolate. Double cream. Shot of caramel. I'll wait here."
Seven dollars, a stack of napkins, and two foam cups.
She takes hers in the gloves and a smile whispers through her like smoke.
"Thanks." But she doesn't sip.
Mine is burning my fingers. Trading it between my hands.
She huddles like steam is fire.
Bus breaks. Hiss of opening doors.
"You can have the window seat," she says.
When she gets off, twenty-two minutes later, hot chocolate clutched and untouched,
she hands me back the napkin that wrapped around her cup.
A phone number.



"What was that?" She turns like a spook. Like the art gallery isn't florescent and full.
"Dead painter," I say. "Coming to admire his work."
"That's not funny." Gloves gripping arms. Eyes on the air.
"We can go," I say. "We've seen most of the pieces anyway."
"No, this is good," she says.
First date. A sweater sliding off her shoulder.
Two rooms later, she skitters into me. Breathes.
My pulse in her grip.
"Sorry. Nothing." She lets go. Steps away. Breathes again.
I take her hand. Cold as a corpse against my skin.
"You're freezing," I say.
"I know."
"We should go. You want hot chocolate? You shouldn't be this cold."
Her gaze over her shoulder. A shudder.
"Come on." My arm around her.
"Don't take me to my apartment!" Wide eyes. Locked knees.
"Okay. Let's got to mine then. I have Swiss Miss. And a space heater."
"That sounds nice."



1:00am.
A mound of blankets. And one sleeping girl, curls draped over the arm of the couch.
"Hey."
Flutter of eyelashes.
"I should get you home," I say, sweat beading on my forehead.
Central heating turned to ninety.
"Mmmm."
"It's getting late," I say.
She burrows deeper, blankets drawn up and over, obscuring any trace of her.
"You're going to die of heat stroke," I say. "It's got to be over 100 degrees in there."
Shifting of hills and valleys.
I unplug the space heater before the blankets catch fire.
Turn the central heater down to eighty.
Then seventy-seven.
"Come on," I say. "You've got to get home."
A whisper.
"Hmm?"
The whisper fades.
I pull the blankets back to let her breath. Eyes closed. Breathing steady.
Again a whisper.
But her lips don't move.
I shiver. Frown, rub my forehead.
I don't wake her.
Sleep weighs me down. I don't even brush my teeth.
One girl on a faded brown couch, swathed in blankets.
One boy on a bed, drenched in cold sweat and whispers.  



Morning.
Curls and yesterdays clothes and a yawn.
Two bowls of sugar cereal.
She laughs when she sees herself in my bathroom mirror. Shakes out more curls.
My toothbrush in her mouth.
"It's Saturday," she says. Spits in the sink. "I guess we should do something."
"I guess so," I say.
"Let's go to my place," she says. "It's not so bad during the day."
But her fingers strangle my hand as we step inside.
Flips the lights on like the switch might shock her.
Fingers down my spine. Shudder.
But no. Just a chill.
Breathing out fog.
"You should turn on the heater," I say.
"It's broken. I've tried to call maintenance three times."
"They don't pick up?" I ask.
"My phone doesn't work when I'm in here. Bad reception."
Dusty light bulbs. Cement walls.
She says, "I should have called from your place."
I pull out my phone. Zero bars.
Look around again. A couch with holes.
"I don't hang out here much," she says.
I nod. Constricted chest. Deep breath. Cold air. Shiver.
"It's kind of creepy," I say.
Air whooshing out of her. Release. "Yes, I know! I hate this place!"
"Why don't you move?"
"Can't sell my contract. It's not up for another six months."
"Oh."
Heart beat.
"A girl died in here," she says. A whisper. "Murdered, I think."
Swallow.
"How do you know?" I ask.
She looks at the wall. No pictures. No mirror. Nothing. "I just do."
Floorboards shift. Down the hall.
"Do you have roommates?"
Shakes her head.
We need to get out of here.
I need to get out of here.
The shiver won't leave my spine alone, tracing it up and down it, drawing a thick line.
"Let's go," I say, at the same time she says, "I know things."
A look across closed hands.
"Yeah, okay," she says, as I say, "What things?"
Laughter, maybe? But no. No space for it in here.
"Lots of things." Again, the whisper. "I hear them."
I tug at her hand, her arm. "Let's go."
She lets me pull her from the apartment.
"Yeah." I can chuckle, almost, now that we're outside in the chilled sunshine.
"That's a pretty creepy place."
Nothing.
"I feel like a trip to Starbucks after that," I say. "You?"
Nothing.
Her eyes on the door I closed behind us.
My hand on her shoulder.
She jumps. "What?" Breathing fast.
"Hey, it's okay." I hold her shoulders still. "You're okay. Want a hot drink?"
"Yeah. Yeah, okay."
Fast steps, pulling me with her, glancing back. Eyes too wide for relaxing.
She doesn't drink her latte.




"Help me."
Her voice over the phone. A breath in the shape of words.
"Please. You have to help me!"
"What?"
2:00am on the alarm clock.
The back of my hand against sleepy eyes.
"They're in my apartment." Voice too fast. Too insubstantial.
"Who?" Sleep leaving fast. Adrenaline sparking.
"I don't know. I don't know. I don't know. Help me! Please, please, please, help me!"
"I'm coming. Stay on the phone with me."
Legs and jeans and shoes. Car keys. Can't find the wallet.
"You still there? Hello?"
Silence.
Look at my phone.
Swear.
Dial her number.
No answer.
Doorknob. Stairs. Parking lot. Car keys and door handle. Steering wheel. Drive.
No wallet.
Her apartment complex.
I pound on the door.
No answer.
"Hello? Hey!"
Nothing.
Lean back and kick. Hard. Once, twice, three times.
Wood cracks. Door hinges squeak.
The apartment is dark and silent. I feel for the switch.
Click.
Nothing.
Click click.
Darkness.
"Hey, it's me. Are you here?"
One step. Two.
Pause.
Puffs of fast white breath.
Footsteps down the hall. Not mine.
"Hello?"
Silence.
"This isn't funny. Why is your power out?"
My phone flashlight. Sliding shadows.
"If there's someone else here, I have 911 on speed dial."
Nothing.
One more step.
Scurrying down the hall. Something else. Not me. Not her.
Mice?
I clear my throat.
Two more steps. Then three. Halfway into the front room.
Thud.
I jump.
"Hello?"
Whispering.
"Hello, I can hear you. This isn't funny!"
Fading to silence.
Cold seeping up my legs. My arms. Fingers numb.
Thud. Thud. Thud.
Dark corners. Flashlight sweeping.
"If this is a joke-"
Shadow along the wall, opposite the flashlight sweep. Whirl and point the light.
Nothing.
A finger on my shoulder.
I jump.
She screams. A different room.
I run. Down the hall, throw open her bedroom door.
She's on the bed, soaked in moonlight.
Eyes on the ceiling, screaming to break her lungs.
I grab her, and she fights me, kicking and clawing.
Her scream stops and she lets me go, fingers tugging and tearing at her own neck.
Face like blushing and drowning.
I lift her off the bed and run, out of the room, out of the apartment.
I dump her on the hood of my car.
Grab her hands before she scratches her neck to shreds.
"Stop!" I shake her wrists, squeeze them.
She still can't breathe.
Both her wrists in one palm. Touch my fingers to her throat, careful.
And she can breathe.
She gasps. Sucks in cold air. Chokes. Coughs. Gulps.
Eyes wild and roving.
"It's okay, it's okay, it's okay," I say, pulling her up into my arms. Holding her still.
"It's okay, it's okay, it's okay."
My t-shirt collar soaks and I pull back, thinking blood, because tonight blood is possible.
But no. Tears.
So I pull her in again.
"It's okay, it's okay, it's okay."
"They came for me," she says, cheekbone to collarbone.
"Shhhh."
"They'll come back. They said-" Choke.
Swallow.
Shudder. "They said someone is going to kill me.
Just like that other girl. Someone is going to- to kill me. Kill me kill me kill me."
"Shhh. Shhh, it's okay, it's okay, it's okay."
I know it's the deepest lie I've ever told, because things like this are not okay.
Are not real.
Are not true.
Are not not not okay.



My own apartment.
The light switch clicks.
Light. One burned out bulb.
"We'll figure something out," I say.
Blankets, but eyes too big for sleep.
Hot chocolate. Miniature marshmallows. Empty caramel sauce bottle.
She breathes in chocolate steam like aromatherapy.
"Hey," I say. "Hey, look at me."
Eyes still on the floating marshmallows.
"I'm going to get some sleep," I say. "You're safe here."
Nothing.
"You need anything?"
Just breathing.
"My bedroom is down the hall."
Her eyes don't even blink.
"Good night," I say.
My room. Shadows.
Jeans on the floor. Cold covers up to my chin.
Shivering.
Eyes closed, but not sleeping.
Whispers. In my own apartment.
My eyes open.
I think that when I drove her here,
the things that choked her all climbed in the car and came along too.
"Shut up," I say.
They infest the air with their murmurs.
Too low for words.
On and on and on.
"Shut up shut up shut up!"
Eyes squeezed shut.
In my dreams, they find me.
Whispers climbing out of shadows, over and around each other.
Spilling, filling, chilling my skin.
Cold sinking in, seeping in, soaking in.
Cold cold cold.
And dark dark dark.
Shadow and ice.
Icicle teeth, jagged, broken.
Open, reaching, tearing, screaming.
I wake.
She is standing over my bed
with a knife.
I am frozen to the sheets. Can't move.
"I thought they were coming for me again," she says.
"Put the knife down."
"I thought they were coming. They're still coming. They'll still find me."
"Just put it down."
The knife drops. Sticks in the wood floor with the blade up.



Coffee.
Red bull.
Even Excedrin.
Chocolate and sugar and bright lights and loud music.
I will not fall asleep.



Hands.
Claws.
Broken icicle fangs.
I start awake and topple my chair.



It's worse when she's around.
She leaves. Five minutes. Maybe ten.
Then I drink up sleep.
Nightmare free.



Dark hallways.
Cold corners and curves.
The floor slopes. Feet slipping out from under me.
Sliding and falling, and falling and falling.
Past writhing shadows and twisting hands.
Grasping, reaching, fingers tangling in my clothes my hair.


There are only hands.
No air, no light, no breath, no life.
Just fingers, touching, pulling.
A hiss and they are gone, arms slithering and fingers scuttling.
Alone.
Silence.
Breathing.
Breathing.
Breathing.
Turning.
Gray and nothing and just me.
A hand clamps down on my shoulder.
I jump and whirl.
Face the color of bruises. Split mouth. Dripping fangs.
But the eyes.
I scream and wake.
Because the eyes are mine.



Daytime.
The whispering thumping freezing cackling footsteps screeching will not stop
will not stop
will not stop.
They have to stop.



"Get out," I tell her.
She stands with my apartment door open.
Grocery bags like huge raindrops sliding off her arms.
I can feel it, feel them.
Scampering scuttling slithering off her and around her through the door.
Feel them brush my legs, breathe on my hair.
Cannot stop shivering. Teeth rattle.
"Get out."
My voice is a dam, blocking them from getting inside me.
"Get out get out get out!"
The first grocery bag drops, splash, on the carpet.
Cereal boxes tip.
Her face is blank.
Wet.
Raindrops on her cheeks.
The second bag drips off her arm.
And then they all tumble down.
Milk. Crackers. Clinking glass jars.
I shove her.
When did I get so close?
Harder.
Harder!
"I said get out!"
Another shove, her shoulders out the door, then her feet.
Slam and bolt.
She doesn't knock.
I stand in the puddle of her groceries and press my hands into my ears.
"Get out!"



But they don't.
I locked them inside.
Whatever they are.
When I shoved her out, they stayed in.
She's gone.
Taxi maybe. Or a friend.
Does she have friends?
They whisper, brushing against the back of my neck.
Sliding down my icicle spine.
Congealing my blood.
Ice cubes clink in my arteries.
I fall into sleep.
An accident.
They grab me, choke me, fingers around my neck.
I wake, and the fingers don't let go.
Groping at my neck, clawing red into my own skin.
But still, no air no air no air.
I reach and grab.
A book.
I smash it at my neck.
And I am released.
Gasp for air.
I open the windows, doors, air vents, freezer.
"GET OUT!" I scream.
Nails cling to my ankles.
I drag them down the halls, each step a load.
Blood trickles off my frozen feet.
The kitchen.
A knife.
I stab the floor around my feet but they don’t let go.
I slash the air, the floorboards, my own skin.
Blood erupts in long lines of pain.
Shrieking and laughing.
I butcher them, the knife blade between the bones of my feet, a puddle of blood.
They let go.
Whispering.
A stir of air behind me.
I whirl and strike the air.
I can hear them feel them smell them.
Rust and sleep and mold.
My nose hairs freeze. My brain frosts over.
They are not leaving.
They are never leaving.
They will kill me, kill me, kill me, again again again.
This is how I will die.
Broken open, covered in whispers of snow and claws of hail.
And then I know.
I know and I run for my room.
Bloody footprints behind me.
Under the bed.
A safe.
Unlocked.
A gun.
Loaded.
I run, things grasping at my shirt, my hair, my skin.
Start the car.
Slam the door.
A smear of red on the steering wheel.
And drive to find her.




Midnight.
12:03am in dashboard lights.
Her door.
Still splintered. Already broken in.
Once I came to save her.




She sees me open the bedroom door.
Moonlight on her face, her blanket, her hair.
Sits up.
Barrel aimed at her head.
Her eyes.



A gunshot.
One.
Two.
Three.
Blood.
One her face, her blanket, her hair.
Her body.
Curls on the quilt.
And silence.
At last there is silence.

I don't think I will ever thaw.








2,607 words